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He was responsible for re-writing the syllabuses for the Foundation Musical Theatre course at Arts Ed London and the Level 6 Trinity Diploma (Acting Department) at CPA Studios where he has also spent the last four years working as an Artistic Consultant and heading the Acting Department.Tilly trained at the Anna Scher Theatre, and has worked extensively in TV, film, radio and theatre.She works freelance as an audition consultant/workshop facilitator.Annemarie regularly contributes as a journalist to several publications and websites on the subject of Musical Theatre, and historically wrote a regular blog for The Public Reviews.As an accompanist and performer Annemarie regularly played for various cabaret stars, ironically enjoying her role of the “miserable pianist”.As a repetiteur she has played for most of the top London casting directors and producers, and indeed still plays for the occasional audition (just to keep her hand in).

2016 has also seen Annemarie returning to her cabaret roots with the occasional appearance down at West End Wendies’ Open Mic Night.

Between 2007-2009 Annemarie wrote for the Theatre Royal Bury St Edmunds inc: the score for Black Eyed Susan (which reopened the Theatre after its major refurbishment), plus the music/lyrics for the critically acclaimed pantomimes Cinderella and the Glass Slipper(2007), Puss in Boots (2008) and Jack and the Beanstalk (2009) all written with Daniel O’Brien.

This collaboration continued for The MTA with Aladdin (2013) and Beauty and the Beast (2014).

Most recently Alan played George in the workshop of Perfectly Ordinary Performance credits include: Swing/Children’s Dance Captain/Cover Mr Braithwaite in (Theatre Royal Windsor and Richmond Theatre) and work for Arts Ed London, the Sylvia Young Theatre School, London School of Musical Theatre, Guildford School of Acting, London Studio Centre, CPA Studios and Trinity College of Music.

Alan has also led West End Workshops at Pineapple Dance Studios and masterclasses for A Taste of the Business.




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